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TaughtMe Oakland, California
words and sounds by Blake Aaron Henderson
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Spunky songwriting wrapped up in luscious vocals and beautifully baroque-pop arrangements.
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Truth or Consequences
by Chelsea Rose
The former Summer Twin steps into her own on a sophisticated solo record full of classic pop sounds and starry-eyed optimism.
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Waiting for the Sky to Speak
by Oropendola
Chamber pop with lyrics that are alternately wry and confessional, Oropendola creates whole worlds built on purposeful keyboard melodies.
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A delicate and ethereal album, gracefully blending dreamy melodies with hushed guitar & introspective lyrics.
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Close But Not Too Close
by NIIKA
Chicago’s NIIKA has made a record rich in nuance, drawing on soul, pop, jazz, and even folk to craft stunningly intricate songs.
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Fire on the Vine
by Bryan John Appleby
This is the second in a series of weekly album reviews published by Andrew Dubber. If you haven’t already caught it, please check out his introductory post. The world appears to be littered with bearded young men with acoustic guitars and notebooks full of verse, access to old pianos, and mournful string players. Few have … Continue reading Album of the Week: Fire on the Vine →
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'They Sell Doomsday'
by Ryan Power
Consummate pop songwriting both smart and smooth, with the ability to resonate universally without compromising uniqueness.
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